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Andrew Hill Songs, Albums, Reviews, Bio & More AllMusic

6 hours agoAndrew Hill. + Follow Artist. Andrew Hill was a great and even groundbreaking composer and pianist, yet the relatively circumscribed scale of his innovations might have originally caused him to get lost in the shuffle of the '60s free jazz revolution. While many of his contemporaries were totally jettisoning the rhythmic and harmonic techniques

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Andrew Hill AllMusic

Just NowAllMusic Review by Richard S. Ginell [+] The CD reissue of Andrew Hill 's remarkably advanced fusion of voices and jazz quintet not only resuscitates the long out of print 1969 LP Lift Every Voice from oblivion, it adds an entire unreleased, untitled album from 1970, more than doubling the original playing time.

Rating: 8.1/10(39)

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Grass Roots Andrew Hill Songs, Reviews, Credits AllMusic

5 hours ago Find album reviews, stream songs, credits and award information for Grass Roots - Andrew Hill on AllMusic - 1968 - As the '60s drew to a close, Blue Note spent less…

Rating: 8.8/10(47)

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Smoke Stack Andrew Hill Songs, Reviews, Credits AllMusic

5 hours ago Trimming away some of the overt Afro-Cuban rhythms that distinguished Black Fire, Andrew Hill turned in a dense, cerebral set of adventurous post-bop on his second Blue Note session, Smoke Stack.Comprised entirely of original Hill compositions, Smoke Stack is in the middle ground between hard bop and free jazz -- it isn't as loose and dissonant as free, but with its long, winding …

Rating: 8/10(60)

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Pax Andrew Hill Songs, Reviews, Credits AllMusic

7 hours ago Pax is one of those seminal Andrew Hill albums that sat locked in Blue Note's vaults for a decade before the first five cuts here were finally released as part of a double-LP package in 1975 entitled One for One.The final pair, recorded at the same time, didn't see the light of day until they appeared on the limited-edition Mosaic Select Blue Note recordings a decade after that.

Rating: 9/10(16)

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Andrew Hill Albums: songs, discography, biography, and

4 hours agoAndrew Hill discography and songs: Music profile for Andrew Hill, born 30 June 1931. Genres: Post-Bop, Avant-Garde Jazz, Free Jazz. Albums include Point of Departure, Black Fire, and Compulsion.

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Andrew Hill Bio, Wiki 2017 Musician Biographies

6 hours agoAndrew Hill was an excellent and also groundbreaking composer and pianist, the relatively circumscribed range of his enhancements may have originally caused him to obtain lost within the shuffle from the ’60s free of charge jazz revolution.

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Andrew Hill : Best Ever Albums

Just NowAndrew Hill from United States. The top ranked albums by Andrew Hill are Point Of Departure, Compulsion!!!!! and Black Fire. The top rated tracks by Andrew Hill are New Monastery, Refuge, Dedication, Spectrum and Flight 19. This artist appears in 192 charts and has received 1 comment and 4 ratings from BestEverAlbums.com site members. This artist is rated in the top 19% of all artists on

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Andrew Hill on Amazon Music

7 hours agoAndrew Hill Artist Overview Albums. Digital Music. Top Albums (See all 45 albums) Smoke Stack [LP] Andrew Hill. Vinyl: $30.74. Point Of Departure Andrew Hill. CD: $13.97 MP3: $10.49. Lift Every Voice Hill, Andrew. MP3: $7.99. Black Fire [LP][Blue N… Andrew Hill

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Andrew!!! Wikipedia

9 hours ago Rating. Allmusic. The Penguin Guide to Jazz Recordings. Andrew!!! is a studio album by American jazz pianist Andrew Hill recorded for Blue Note Records in 1964. It was first released in April 1968, and subsequently reissued on CD in 2005 with two alternate takes.

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Mosaic Select 16: Andrew Hill Wikipedia

9 hours agoAllmusic. Mosaic Select 16: Andrew Hill is a compilation album by American pianist Andrew Hill. Except for six tracks, issued on One for One in 1975, it features previously unreleased pieces originally recorded for Blue Note Records .

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Point of Departure (Andrew Hill album) Wikipedia

8 hours ago Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label.. Point of Departure was reissued on CD by Blue Note in 1988 and again in 1999 when recording engineer Rudy Van Gelder remastered the album, adding alternate takes of "New Monastery", "Flight 19", and "Dedication".

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Change (Andrew Hill album) Wikipedia

6 hours ago Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded and scheduled for release in 1966 on the Blue Note label. The album was originally scheduled for issue in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of the double LP set Involution, which combined them with tracks recorded

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Dusk (Andrew Hill album) Wikipedia

4 hours ago The Allmusic review by David R. Adler awarded the album 4½ stars and stated "With Dusk, Andrew Hill makes it plain that his uncompromising musical vision is intact, undiluted, and perhaps more advanced than ever". Track listing All compositions by Andrew Hill "Dusk" - 12:05 "ML" - 4:10

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Andrew Hill Discography

4 hours agoAndrew Hill Discography. Andrew Hill was born on June 30, 1931 in Chicago, IL (not 1937 and not in Haiti) and died April 20, 2007 in Jersey City, NJ. While this is the most comprehensive and accurate discography on Andrew Hill ever produced, there …

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HILL,ANDREW Black Fire Amazon.com Music

9 hours ago Editorial Reviews. Alfred Lion called Andrew Hill his last great discovery and "Black Fire" was the pianist's brilliant Blue Note debut. Despite the originality and complexity of Hill's compositions, Joe Henderson, Richard Davis and Roy Haynes sound like they've been playing them for years. Added to the original LP are two alternate takes.

Rating: 4.8/5(175)

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Live at Montreux (Andrew Hill album) Wikipedia

6 hours ago The Allmusic review by Ken Dryden awarded the album 4 stars and stated "Andrew Hill hadn't been recording much for a few years by the time of this 1975 concert at the Montreux Jazz Festival, and one wonders why while listening to this very entertaining solo performance".

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Andrew Hill – Spiral (Full Album) ProJazz.net

9 hours ago Tumblr. Spiral is an album by American jazz pianist Andrew Hill, recorded in late 1974 and early 1975 and released on the Freedom label. The Allmusic review by Scott Yanow awarded the album 4 stars stated “…there are enough surprising moments and thought-provoking solos to make this a release worth picking up by open-eared listeners”.

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Andrew Hill Encyclopedia.com

2 hours agoAndrew Hill. Composer, pianist, bandleader. For the Record …. Selected discography. Sources. Andrew Hill, a groundbreaking composer and pianist, who played an important role in the post-bop movement of the late 1950s and early 1960s, excels at creating music that sounds at once familiar and disorienting.An improviser who has embraced the avant-garde, he always appears in command of …

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Andrew Hill Culture Currents (Vernaculars Speak)

1 hours ago There are a number of other excellent Hutcherson albums including his heady Blue Note debut Dialogue with pianist Andrew Hill and the great Madison, “Solo/Quartet” is one of Hutcherson’s most personal projects. allmusic.com. It opens with three pieces that Hutcherson recorded solo, with multi-track overlays. The first is “Gotcha

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Andrew Hill – Passing Ships ProJazz.net

5 hours agoAndrew Hill – Passing Ships. Passing Ships is the thirteenth album by American jazz pianist Andrew Hill featuring performances recorded in 1969 but not released on the Blue Note label until 2003. The album features Hill with a large horn section performing seven original compositions. AllMusic Review by Thom Jurek: Now this is more like it.

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Andrew Hill MusicBrainz

7 hours ago Artist information Sort name: Hill, Andrew Type: Person Gender: Male Born: 1931-06-30 Born in: Chicago, Illinois, United States Died: 2007-04-20 (aged 75) Died in: Jersey City, New Jersey, United States Area: United States

Album: Lift Every Voice, Black Fire, Compulsion, Time Lines, A Beautiful Day

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Andrew Hill Black Fire (1964/2019) 2496 FLAC

1 hours agoAllMusic Review by Stephen Thomas Erlewine Black Fire, Andrew Hill's debut record for Blue Note, was an impressive statement of purpose that retains much of its power decades after its initial release. Hill's music is quite original, building from a hard bop foundation and moving into uncharted harmonic and rhythmic territory.

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Andrew Hill Compulsion!!!!! (Blue Note, 1967) 人生は野菜スー …

6 hours ago 例によってAllmusic.comによる評価を添えたが、英語版ウィキペディアによるジャンル分類も加えてみた。 [ Andrew Hill Discography on Blue Note during 1960's] 1963.9: Joe Henderson/Our Thing (issued 1964.5) Jazz, ★★★★1/2 1963.10: Hank Mobley/No Room for Squares (issued 1964.6) Jazz, ★★★★

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Andrew Hill: Shades (1986) Soul Note, Italy (+photos added

3 hours agoAndrew Hill’s typically challenging and complex inside/outside originals” (AllMusic- Four Stars)… “Hill occupies that rare territory between the comfort of the familiar and the allure of the perceptibly unique” (NPR) He has been described as ” Monk without the sharp angles”.

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Andrew Hill Lead Sheets asiavia.org

3 hours agoandrew hill lead sheets andrew hill technical lead caci asg formerly. smoke stack andrew hill songs reviews credits allmusic. professor andrew hill deputy head of school and school. guitar tab sheet music downloads musicnotes com. andrew hill black fire lead sheet fr scribd com. andrew hill 21 piano compositions sheet music plus.

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2400+ "Andrew Hill" profiles LinkedIn

4 hours ago View the profiles of professionals named "Andrew Hill" on LinkedIn. There are 2400+ professionals named "Andrew Hill", who use LinkedIn to exchange information, ideas, and opportunities.

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Andrew!!!

2 hours agoAndrew!!! is a studio album by American jazz pianist Andrew Hill recorded for Blue Note Records in 1964. It was first released in April 1968, and subsequently reissued on CD in 2005 with two alternate takes. Track listing. All compositions by Andrew Hill "The Groits" - 6:04 "Black Monday" - 8:55 "Duplicity" - 6:11 "Le Serpent Qui Danse" - 6:55

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Wikizero Grass Roots (Andrew Hill album)

4 hours ago Grass Roots is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 and released on the Blue Note label. The original album features Hill's quintet performing five original compositions and the 2000 CD reissue added three alternate takes and two additional compositions recorded by a sextet at an earlier session as bonus tracks.

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8024709062024 Strange Serenade CD CAM JAZZ

1 hours ago "This is as dour and dark as anything Hill has committed to record. Alan Silva and Frederick Waits are ideal partners in music that isn't so much minor-key as surpassingly ambiguous in its harmonic language." (source: The Penguin Guide to Jazz on CD - Eighth Edition) "Hill enters the 80s on a stirring trio note." (source: AllMusic.com, R.Wynn)

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Andrew Hill Profiles Facebook

3 hours ago View the profiles of people named Andrew Hill. Join Facebook to connect with Andrew Hill and others you may know. Facebook gives people the power to

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Andrew Hill – Point Of Departure (1964/2015) [Qobuz FLAC

7 hours ago –Thom Jurek, AllMusic. The folks at Music Matters have been reissuing classic Blue Note albums of the 1950s and 1960s at an aggressive clip, and have been careful to include virtually every style of music the label recorded, including some of its more challenging material. Pianist Andrew Hill’s Point of Departure (1964) will never be

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Andrew Hill But Not Farewell (1991)

5 hours agoAllMusic Review by Scott Yanow This is a recommended set of stimulating post-bop jazz. Andrew Hill's highly distinctive piano playing and unusual compositions hint at the past while following their own rules. The feeling of polyrhythms is present in several of Hill's seven compositions on this CD.

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Wikizero Lift Every Voice (Andrew Hill album)

3 hours ago The Allmusic review by Richard S. Ginell awarded the album 4 stars calling it a "remarkably advanced fusion of voices and jazz quintet".. Track listing []. All compositions by Andrew Hill "Hey Hey" - 7:55 "Lift Every Voice" - 8:06 "Two Lullabies" - 5:44 "Love Chant" - 5:42 "Ghetto Lights" - …

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Andrew Hill Wikipedia, den frie encyklopædi

1 hours agoAndrew Hill (født 30. juni 1931, død 20. april 2007) var en amerikansk jazz pianist og -komponist.. Liv og karriere. Andrew Hill blev født i Chicago og begyndte som 13-årig at spille klaver på opfordring af Earl Hines.Han kom i forbindelse med Paul Hindemith, som han studerede hos i en periode samtidig med, at han spillede i forskellige bands, der spillede rhythm and blues og jazz.

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Nefertiti (Andrew Hill album)

Nefertiti is the twentieth album by American jazz pianist Andrew Hill, recorded in 1976 and originally released on the Japanese East Wind label.[1] The album features six of Hill's original compositions performed by a trio.

Reception

The Allmusic review by Scott Yanow awarded the album 4 stars and stated "although the music seems slightly more conservative than usual for a Hill set, the music is consistently stimulating".[2]

Track listing

All compositions by Andrew Hill
  1. "Blue Black" - 14:10
  2. "Relativity" - 5:29
  3. "Nefertiti" - 8:08
  4. "Hattie" - 3:47
  5. "Mudflower" - 7:32
  6. "Unnatural Man" - 3:23

Personnel

References

This article is issued from Wikipedia - version of the 12/16/2014. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.

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One for One (Andrew Hill album)

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  • One Tree Hill Soundtracks — The following is a list of soundtracks that have been released for the TV show One Tree Hill. One Tree HillInfobox album Name = One Tree Hill Type = soundtrack Artist = Various artists Released = January 25, 2005http://www.amazon.com/One Tree… …   Wikipedia

  • List of One Tree Hill characters — The original five from the first season; Upper row (L R) Lucas, Peyton and Haley. Lower row (L R) Brooke and Nathan. One Tree Hill is an American television series created by Mark Schwahn for The WB in 2003. After its third season, The WB and UPN …   Wikipedia

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    Dusk (Andrew Hill album) explained

    Dusk
    Type:Album
    Artist:Andrew Hill
    Cover:Dusk (Andrew Hill album).jpg
    Released:May 16, 2000
    Recorded:September 15 & October 27, 1999
    Maggie's Farm, Bucks County
    Genre:Jazz
    Length:59:43
    Label:Palmetto
    PM 2057
    Producer:Matt Balitsaris
    Chronology:Andrew Hill
    Prev Title:Les Trinitaires
    Prev Year:1998
    Next Title:A Beautiful Day
    Next Year:2002

    Dusk is a studio album by American jazz pianist Andrew Hill recorded in 1999 and released on the Palmetto label.[1]

    Reception

    The Allmusic review by David R. Adler awarded the album 4½ stars and stated "With Dusk, Andrew Hill makes it plain that his uncompromising musical vision is intact, undiluted, and perhaps more advanced than ever".[2]

    Track listing

    All compositions by Andrew Hill

    1. "Dusk" - 12:05
    2. "ML" - 4:10
    3. "Ball Square" - 4:25
    4. "Tough Love" - 7:19
    5. "Sept" - 12:27
    6. "T.C." - 7:54
    7. "15/8" - 10:31
    8. "Focus" - 0:52

    Recorded on September 15 (tracks 1-3 & 5-7) and October 27 (tracks 4 & 8), 1999.

    Personnel

    Notes and References

    1. http://www.jazzdiscography.com/Artists/Hill/hill-disc.htm Andrew Hill discography
    2. Adler, D. R. [{{AllMusic|class=album|id=r467106|pure_url=yes}} Allmusic Review] accessed October 1, 2010
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    Allmusic andrew hill

    Spirito Eterno

    Eternal Spirit è un album del pianista jazz americano Andrew Hill, registrato nel 1989 e pubblicato dall'etichetta Blue Note. L'album contiene sei delle composizioni originali di Hill eseguite dal suo quintetto con tre take alternativi aggiunti all'uscita del CD come bonus track.

    Ricezione

    La recensione di Allmusic di Scott Yanow ha assegnato all'album 4 stelle e mezzo e ha dichiarato: "Non ci sono performance deboli in questo superbo sforzo post bop, la registrazione più forte di Andrew Hill in diversi anni".

    Elenco tracce

    Tutte le composizioni di Andrew Hill"Pinnacle" - 9:53 "Tramonto d'oro" - 10:20 "Samba Rasta" - 4:50 "Piuma di coda" - 6:16 "Amante spirituale" - 7:43 "La melodia di Bobby" - 8:41 "Pinnacle" [take alternativo] - 7:29 Bonus track su CD "Golden Sunset" [take alternativo] - 5:12 Bonus track su CD "Spiritual Lover" [take alternativo] - 6:44 Bonus track su CD Registrato al Rudy Van Gelder Studio, Englewood Cliffs, New Jersey il 30 gennaio (tracce 4 e 6-9) e il 31 gennaio (tracce 1-3 e 5), 1989

    Personale

    Andrew Hill - pianoforte Greg Osby - sassofono contralto Bobby Hutcherson - vibrazioni Rufus Reid - basso Ben Riley - batteria

    Riferimenti

    Sours: https://www.wikit.wiki/blog/en/Eternal_Spirit
    Anne Murray, Daniel Boone,... - Greatest Oldies Songs Of 60's 70's 80's

    Andrew Hill was born to Hattie and William Robert Hill, Sr. on June 30, 1931 in Chicago, Illinois. He was preceded in death by his parents and his only sibling William Robert Hill, Jr. Andrew was in person as magical and complex as the music he composed and performed. He was at once shy and outgoing, with a slight build, sometimes hesitant speech, and with a ready smile and penetrating gaze that could embrace the whole of a person. Andrew brought an easy elegance and grace to all that he did with an ability to laugh at life's situations. "No tears," he said in responding to his three year life with illness, lived with passion and hope.

    A legendary jazz pianist and composer, his music defied categorization for over four decades with its enigmatic and sophisticated musical style. He was hailed by The New York Times as "one of the 1960's jazz heroes" and was alternately referred to as a genius and a master by critics and colleagues alike. He was honored with a Lifetime Achievement Award from the Jazz Foundation of America (1997), received the JAZZPAR Award, the world's largest international jazz award (2003), and was named Jazz Composer of the Year five times by the Jazz Journalists Association, receiving the Pianist of the Year and Lifetime Achievement Award in 2007. A champion of Hill's music, the late Blue Note Records founder Alfred Lion proclaimed Hill his "last great protege. With over 40 recordings over just as many years, Hill consistently astounded listeners with his unorthodox compositions.

    His nonet, Passing Ships, written in 1969 for mixed winds, brass, and a rhythm section, enjoyed much attention and acclaim when it was rediscovered, released, and performed live for the first time in 2006. His last release, Time Lines (Blue Note 2006), was voted Best Jazz Album by Down Beat magazine. He was named to down Beat's Hall of Fame in 2007 and joined the ranks of such lauded composers as Stravinsky, Copland, Elliott Carter, as well as jazz luminaries David Benoit and Chick Corea by signing with music publisher Boosey & Hawkes. He received an Honorary Doctorate of Music from Berklee School of Music on May 12, 2007. His final concert was at Trinity Church, Wall Street on March 29th, 2007. Andrew was named a 2008 NEA Jazz Master by the National Endowment for the Arts, the country's highest award for jazz.

    • 2008 National Endowment for the Arts (NEA) Jazz Master
    • 2007 Downbeat Hall of Fame
    • Jazz Journalist Association 2007, Pianist of the Year, Composer of the Year
    • Jazz Journalist Association 2007, Lifetime Achievement Award
    • 2007 Honorary Doctorate of Music-Berklee College of Music
    • Jazz Journalist Composer of Year Awards for 2000, 2001, 2003, 2006
    • "Time Lines" Down Beat Album of the Year 2006
    • Playboy Jazz Artist of the Year 2006
    • "Dusk" Down Beat Album of the Year 2001
    • Down Beat Winner Critics Poll Jazz for 2000 & 2001
    • First Doris Duke Foundation Award for Jazz Composers

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    Born on June 30, 1937, in Chicago, IL. Education: Studied with German classical composer and music theorist Paul Hindemith, 1950-52; earned doctorate degree from Colgate University. Addresses: Record company--Palmetto Records, 71 Washington Place, Ste. 1A, New York, NY 10011; Website--Andrew Hill Official Website: http://www.andrewhilljazz.com.

    Andrew Hill, a groundbreaking composer and pianist who played an important role in the post-bop movement of the late 1950s and early 1960s, excels at creating music that sounds at once familiar and disorienting. An improviser who has embraced the avant-garde, he always appears in command of his material, regardless of a work's complexities and abstractions. He is a visionary grounded in tradition, relying more upon compositional mastery than upon chance. "As a pianist," Chris Kelsey of All Music Guide wrote, Hill displays a "flowing melodicism and an elastic sense of time.... Hill's playing has an ever-present air of spontaneity and is almost completely devoid of cliché."

    Hill's music exhibits a certain abstract, intellectual quality that simultaneously invigorates and challenges the listener. "Andrew's music is very heavily mental. You go into rooms you wouldn't normally enter," recalled vibes player Bobby Hutcherson, who worked with Hill in the 1960s, to Down Beat's Ted Panken. "There's always a little story in the melody, a reason why this tune is being played." Nonetheless, Hill, unfairly overshadowed among many of his contemporaries, remains largely overlooked by many Americans.

    Within the jazz community, however, Hill's reputation is firmly grounded, and he continues to serve as a mentor to a new generation of musicians. "I hear some young artists with incredible techniques, but at a certain point their creativity turns monotonous," Hill observed, as quoted by Down Beat contributor John Murph. "When I listen to some of these artists, I can still tell that they need some new material to study or a record to help them evolve. All of a sudden I'm a mentor."

    He furthermore strives, as an educator and advisor, to correct misinterpretations about the evolution of modern jazz. "I would like to talk to some of the young musicians about success, because historically jazz has become a bit Europeanized and discussed like it was art for art's sake," he added to Murph. "It wasn't art for art's sake. It was a viable living for the community, and the community was involved. I want the younger musicians to realize that we weren't like these sages who would go into this hibernation for knowledge and come out of the woodwork with this music. We have a responsibility to bring that magic to the people."

    Born on June 30, 1937, in Chicago, Hill was drawn to the piano at an early age. "To my memory, I could play the piano as long as I've been talking," he told Fred Jung for a Jazz Weekly.com interview. Growing up on Chicago's South Side, he was surrounded by music resonating from neighborhood clubs and theaters. At the age of six, Hill began playing blues accordion and tap dancing on the streets--with friend Leo Blevins on guitar--to earn money to help support his family. Hill eventually commenced his formal training around the age of 13, under encouragement from several prominent figures in his neighborhood. Pianist Earl Hines, as well as jazz composer, arranger, and trombonist Bill Russo, took notice of Hill's talent. Russo in particular took a great interest in his development and introduced the youngster to the renowned German classical composer and music theorist Paul Hindemith, with whom Hill studied from 1950 until 1952.

    In 1952 Hill started performing professionally, and in the summer of 1953 he accompanied Charlie Parker in Detroit at the Greystone Ballroom. Thereafter, he worked with trumpeter Miles Davis and tenor saxophonist Coleman Hawkins prior to forming his own trio, featuring drummer James Slaughter and bassist Malachi Favors, a founder of the Art Ensemble of Chicago. In 1955 the trio recorded Hill's first album, So in Love with the Sound of Andrew Hill.

    In 1961 Hill relocated to New York to work with singer Dinah Washington, then spent a brief time in Los Angeles working with Rahsaan Roland Kirk's group. Returning to New York in 1962, Hill pursued his own career in earnest, as sideman and leader. He recorded with Blue Note Records from November of 1963 through March of 1966. His albums for the label are now considered classics, especially Point of Departure. Recorded in 1964 with Eric Dolphy, Joe Henderson, Kenny Dorham, and Tony Williams, this album features some of the most brilliant and uncompromising ensemble work in free jazz. His other recordings with Blue Note include Black Fire, Smokestack, Judgment, Andrew!, Compulsion, Involution, and One for One. Years later, he returned to Blue Note to record Eternal Spirit and But Not Farewell.

    During the 1970s and 1980s, Hill continued to release albums, among them From California with Love in 1978, Strange Serenade in 1980, and Shades in 1986. But he spent most of this period in academia, earning a doctorate degree from Colgate University and serving as the school's composer-in-residence from 1970 until 1972. Thereafter, he remained mainly on the West Coast--until his wife La Verne's death in 1989--where he offered solo concerts, gave classes and workshops, and played on occasion at international jazz festivals. Additionally, Hill became a tenured associate professor at Portland State University, founding that institution's Summer Jazz Intensive, and he performed, held workshops, and/or established residencies at Wesleyan University, University of Michigan, University of Toronto, Harvard University, and Bennington College.

    Upon his return to New York City, Hill, now remarried, experienced a renewed interest in his music through a series of live performances in the mid-1990s. Eventually, in 1998, he formed a new group, the Point of Departure Sextet, for the Knitting Factory's 1998 Texaco Jazz Festival. In addition to Hill on piano, the sextet comprises saxophonists Marty Elrich and Greg Tardy, trumpeter Ron Horton, bassist Scott Colley, and drummer Billy Drummond. The group went on to hold week-long engagements at the New York venues Birdland and the Jazz Standard, and it performed at the Lincoln Center Out of Doors Summer 1999 series.

    In 2000 Palmetto Records issued the sextet's first album, Dusk, which was recorded in 1999 and garnered much acclaim, winning the recognition of "Best Album" from both Down Beat and Jazztimes. "The music is mysterious, elusive, soulful, rich in mood and character," wrote Panken in his review of the album, "expansively written, replete with beautiful melodies and counter-melodies, complex intervals, unique voicings, intense vamps and ostinatos. Each section is tailored to the tonal personalities of the musicians, morphing from keening rubato passages to long lines propelled by churning counter and cross-rhythms that define the overall motion."

    Besides his sextet, Hill also formed a trio with Colley on bass and Nashied Waits on drums, as well as the Andrew Hill Big Band. With the latter, he recorded the album A Beautiful Day, released on Palmetto in 2002. It, too, drew critical accolades, as did the big band's live performances.

    by Laura Hightower

    Andrew Hill's Career

    Began playing piano at early age; started playing accordion and tap dancing as street performer, age six; commenced formal training in composition and piano, age 13; began professional career, 1952; moved to New York City, recorded for Blue Note Records, 1963-66; recorded the classic album Point of Departure, 1964; dedicated himself mainly to teaching, 1970s-1980s; released Dusk with his new sextet, 2000.

    Andrew Hill's Awards

    Jazz Journalist Association, Critics' Choice Award for Best Composer, 2000-01; Down Beat and Jazz Times, Best Album of the Year for Dusk, 2001; Jazzpars Award, 2003.

    Famous Works

    • Selected discography
    • (With Dave Shipp) Romping/Let's Live , Vee Jay, 1954.
    • So In Love with the Sound of Andrew Hill , Warwick, 1955.
    • (With Johnny Hartman/Andrew Hill) Trio 1961 Live , VGM, 1961.
    • (With Rahsaan Roland Kirk) Domino , Mercury, 1962.
    • (With Walt Dickerson) To My Queen , New Jazz, 1962.
    • (With Jimmy Woods) Conflict , Contemporary, 1963.
    • (With Joe Henderson) Our Thing , Blue Note, 1963.
    • (With Hank Mobley) No Room for Squares , Blue Note, 1963.
    • Black Fire , Blue Note, 1963.
    • Smokestack , Blue Note, 1963.
    • Judgment , Blue Note, 1964.
    • Point of Departure , Blue Note, 1964.
    • Andrew! , Blue Note, 1964.
    • Compulsion , Blue Note, 1965.
    • (With Bobby Hutcherston) Dialogue , Blue Note, 1965.
    • Involution , Blue Note, 1966.
    • Grass Roots , Blue Note, 1968; reissued, 2000.
    • Dance with Death , Blue Note, 1968.
    • One for One , Blue Note, 1968.
    • Lift Every Voice , Blue Note, 1969; reissued, 2001.
    • Spiral , Arista/Freedom, 1974.
    • Blueback , East Wind, 1975.
    • Divine Revelation , Steeplechase, 1975.
    • Homage , East Wind, 1975.
    • Live at Montreux , Arista/Freedom, 1975.
    • Nefertiti , East Wind, 1976.
    • From California with Love , Arista House, 1978.
    • Faces of Hope , Soul Note, 1980.
    • Strange Serenade , Soul Note, 1980.
    • Verona Rag , Soul Note, 1986.
    • Shades , Soul Note, 1986.
    • Eternal Spirit , Blue Note, 1989.
    • But Not Farewell , Blue Note, 1990.
    • (With Russell Baba) Earth Prayer , Ruba Music, 1992.
    • (With Reggie Workman) Summit Conference , Postcards, 1994.
    • (With Greg Osby) Invisible Hand , Blue Note, 2000.
    • Dusk , Palmetto, 2000.
    • (With the Andrew Hill Big Band) A Beautiful Day , Palmetto, 2002.

    Further Reading

    Sources

    Periodicals
    • Atlantic, April 1999.
    • Boston Globe, April 30, 1999, p. D16; May 5, 1999, p. F5; January 13, 2002, p. C4.
    • Down Beat, January 1995, p. 40; July 2000, p. 69; January 2001, p. 30; August 2001, p. 40; December 2001, p. 20; January 2002, p. 54; April 2002, p. 54.
    • Los Angeles Times, February 21, 1986, p. 3; November 8, 1989, p. 6; January 21, 2000, p. F24; December 29, 2000, p. F26; March 11, 2001, p. 1; April 13, 2001, p. F20; September 22, 2002, p. F69.
    • New York Times, July 24, 1999, p. 10; May 19, 2000, p. E25; February 2, 2001, p. 29; August 2, 2001, p. E5.
    • Rolling Stone, October 6, 1994, p. 89.
    • Village Voice, February 6, 1996, p. 62; November 24, 1998, p. 113.
    Online
    • "Andrew Hill," All Music Guide, http://www.allmusic.com (November 19, 2002).
    • Andrew Hill Official Website, http://www.andrewhilljazz.com (November 22, 2002).
    • "Dusk," All About Jazz, http://www.allaboutjazz.com/reviews/r0600_031.htm (November 22, 2002).
    • "A Fireside Chat with Andrew Hill," Jazz Weekly.com, http://www.jazzweekly.com/interviews/ahill.htm (November 22, 2002).
    • "Making the Rounds: Andrew Hill at the San Jose Repertory Theater," Jazz Now, http://www.jazznow.com/300rnds.html (November 22, 2002).

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